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Vocal Negatives: Michael Jackson's tone could be considered thin and lacking in resonance, particularly in the mid-to high part of the modal register, when compared to other male singers. Leave Faithless - Dont Leave Underworld - Oh Cardigans - War (First Try) Elvis Presley - Always on My Mind A3 - Peace in the Valley Bobby Darin - Beyond the Sea Squirrel Nut Zippers - Put a Lid on It Dusted. Unique and immediately recognisable voice that harmonised with itself brilliantly to create luscious and iconic layered vocals. Luscious Jackson - Love is Here Ash - A Life Less Ordinary Sneaker Pimps - Velvet Divorce Folk Implosion - Kingdom of Lies R.E.M. Comfortable in this part of the range, Michael Jackson could sing effortlessly here holding notes, or hitting complex staccato notes- see Butterfies. The falsetto was solid, warm and more resonate than many other male singers, though it was also capable of a softer timbre if so required.
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The belting range had a number of timbres, being either bright, light and smooth, or coarser, slightly heavier and with an edge-see They don't care about us. The chest voice had an elasticity and flexibility that allowed for it to stretch, without much impact on the tone, up to the fifth octave. As the voice passed into the midrange it began to lighten and brighten significantly. The low range was the heaviest part of the voice, and was surprisingly dark when compared to the higher parts of the modal range, in which he usually sang. The voice also had the strength and stamina to hold notes for lengths of time, without wavering in pitch, and the ability to emote the meaning of the lyrics exceptionally. Vocal Pluses: Michael Jackson's voice was predominately light and agile with a nimble, rhythmic dexterity that allowed for complex vocal runs, as well as allowing it to mimic instruments- such as drums- or employ trademark grunts and exclamations that were controlled and achieved via proper technique.